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FOOL - an attempt at global demystification. Do we need the adversary? What defines the fool’s appearance, whether endorsing or opposing the world?
The Messenger, the nameless one, the sought-after friend or dreaded foe in our universal opus of existence. Merrily the fool greets the world, his stage, while painfully reflecting upon its fate, the destruction of everything. Who can tell me who I am? Welcome to the pleasure dome! On stage a face, a body and a discourse spring into being. Based on the fool from Shakespeare’s King Lear, inspired by ‘Folly’, emerging from the quill of Erasmus von Rotterdam, and influenced by the lyrics from ‘Praise for Nothing’ by Boris Mitic.